[Lutecium-group] 15 -20 juin 2008 -Tours - International James Joyce Symposium
Jean-Paul Kornobis
jpkornobis at nordnet.fr
Fri May 9 11:09:07 GMT 2008
Re-Nascent Joyce XXIst International James Joyce Symposium Université François-Rabelais, Tours, France June 15–20, 2008
Renseignements
http://www.vinci-conventions.fr/agenda_d.php?id=492
The registration desk will be open:
12-6, Sunday, June 15
9-5, Monday-Thursday, June 16-19
9-12, Friday, June 20
Program as of May 7, 2008
Rooms: a = Auditorium Descartes b = Salle Rabelais c = Salle Dujardin d = Salle Proust e = Salle Balzac
ACADEMIC PROGRAM
Sunday June 15 2.00–2.30)
15.1.a) Auditorium Descartes
Introductions
Claudine Raynaud (host committee, Université François-Rabelais, Tours, France) Margot Norris (outgoing President, International James Joyce Foundation)
2.30–4.00)
15.2.a) Auditorium Descartes
Autour de la nouvelle traduction de Ulysses : table ronde
Chair: Jacques Aubert (Université de Lyon II, France)
Tiphaine Samoyault (Université Paris VIII, France)
Pascal Bataillard (Université de Lyon II, France)
Bernard Hoeppfner (Independent translator, France)
4.00–4.30) Coffee
4.30–6.00)
15.3.a) Auditorium Descartes
Joyce avec Lacan
Chair: Jacques Aubert (Université de Lyon II, France)
Geneviève Morel (France): “Les prolongements du symptôme : John père de James père de Lucia”
Franz Kaltenbeck (France): “Cauchemar, lettre, humour”
Annie Tardits (France): “1921–1933 : Premières rencontres de Lacan avec Joyce”
6.00–8.00) Welcome Reception; Da Vinci Centre
Monsieur le Président de l’Université François-Rabelais de Tours Monsieur Heinz Raschel, Doyen de l’UFR Lettres et Langues Anne Fogarty (incoming President, International James Joyce Foundation)
Monday June 16 9.00–9.30) Coffee
9.30–11.00)
16.1.a) Auditorium Descartes
The Sounds of Joyce *
Chair: Vincent J. Cheng (University of Utah, USA)
Margot Norris (University of California, Irvine, USA): “The Music of Joyce’s Vernacular Voices”
Maud Ellmann (University of Notre Dame, USA): “Joyce’s Noises”
Vincent J. Cheng (University of Utah, USA): “‘The Twining Stresses, Two by Two’: The Prosody of Joyce’s Prose”
16.1.b) Salle Rabelais
Roundtable on Joyce, Irish Modernism, and Primitivism *
Chair: Claire Culleton (Kent State University, USA)
Greg Winston (Husson College, USA): “‘Reluctant Indians’: Joyce, Irish Identity, and Racial Masquerade”
Maria McGarrity (Long Island University, USA): “‘He’s an Irishman’: Roger Casement and the Citizen in ‘Cyclops’”
M. Teresa Caneda Cabrera (University of Vigo, Spain): “Translating Irishness: A Portrait of James Joyce as a Modern Celt” John McCourt (University of Rome III, Italy): “Queering the Revivalist’s Pitch: Joyce’s
Early Anti-Primitivism” Claire Culleton (Kent State University, USA): “Joyce, the GAA, and Primitivism”
16.1.c) Salle Dujardin
Exiles and Aesthetics †
Chair: Anthony Uhlmann (University of Western Sydney, Australia)
Nick De Marco (Università G. d’Annunzio, Italy): “Exiles: A Portrait of the Creator as a Botched Artist”
Damon Franke (University of Southern Mississippi, USA): “Rowan’s Quaternion”
Anthony Uhlmann (University of Western Sydney, Australia): “Joyce’s Aesthetic of Relationships in Exiles and Ulysses”
16.1.d) Salle Proust
Desire and Knowledge between Shakespeare and Joyce
Chair: Richard Brown (University of Leeds, UK)
Jessica Lucero (University of Nevada, Las Vegas, USA): “‘Like a sigh of O!’: Agape in Shakespeare and Joyce.”
Ljiljana Ina Gjurgjan (University of Zagreb, Croatia): “Hamlet’s Stephen: The Lost Way of Desire”
Maria-Daniella Dick (University of Glasgow, UK): “Marked you that?”
Richard Brown (University of Leeds, UK): “‘Shakespeare he’s in the alley’: Modernising Shakespeare in ‘Scylla’”
16.1.e) Salle Balzac
Joyce and the 19th Century French Novel: 1
Chair: Finn Fordham (Royal Holloway, University of London, UK)
Patricia Novillo-Corvalán (Birkbeck College, University of London, UK): “Female Quixotes: From Flaubert’s Madame Bovary to Joyce’s ‘Nausicaa’ and Puig’s The Buenos Aires Affair”
Scarlett Baron (Christ Church, Oxford, UK): “‘Flaub. treatment of language as a kind of despair. J.J contrary’: Flaubert, Joyce, and Intertextuality”
Jed Deppman (Oberlin College, USA): “Bildungsroaming with Joyce, France, and the Irish Renaissance”
Paul Jones (University of York, UK): “George Moore, the French Tradition, and the Style of Dubliners”
11.00–11.30) Coffee
11.30–1.00)
16.2.a) Auditorium Descartes
Ulysses/Ulysse : traduction et retraduction / Translating and Retranslating: Ulysses/Ulysse *
Chair: Régis Salado (Université Paris VII, France)
Robert Byrnes (University of Winnipeg, Manitoba, Canada): “Joyce’s Dictionnaire des Idiotismes Reçus: Comparing the 2004 and 1929 French Versions of ‘Eumaeus’”
Liliane Rodriguez (University of Winnipeg, Manitoba, Canada): “James Joyce’s Hand in the First French Translation of Ulysses”
Bernard Hoepffner (Independent translator, France): “Lisser Ulysse?”
Régis Salado (Université Paris VII, France): “1922–1929–2004 : la transmigration des noms de Ulysses à Ulysse”
16.2.b) Salle Rabelais
Joyce in Word and Image * †
Chair: Colleen Jaurretche (Claremont McKenna College, USA)
Rob Polhemus (Stanford University, USA): “The Tower of Babel and Great Art: Pieter Bruegel and James Joyce”
Carol Shloss (Stanford University, USA): “Visualizing Finnegans Wake”
Christa-Maria Lerm Hayes (University of Ulster, Northern Ireland): “Brian O’Doherty’s ‘In the Wake (of)______’”
Colleen Jaurretche (Claremont McKenna College, USA): “Finnegans Wake and Visual Art”
16.2.c) Salle Dujardin
Narratological Approaches
Chair: Monika Fludernik (University of Freiburg, Germany)
Sonja Bašić (University of Zagreb, Croatia): “Narrative Modes as Chief Constructors and Co-Protagonists of the ‘Eumaeus’ Episode”
Gregory O. Smith (The Ohio State University, USA): “‘Done. / Begin!’: A Rhetorical Approach to Re-Nascent Narrative in Ulysses”
Wolfgang Wicht (University of Potsdam, Germany): “The Inconsistent and Heterogeneous Panorama of Narratives in Ulysses”
John Pier (Université François-Rabelais, Tours, France): “From Focalization to Intermediality in the ‘Sirens’ Episode”
16.2.d) Salle Proust
Joyce and the Idea of the Nation: 1
Chair: Enda Duffy (University of California, Santa Barbara, USA)
John Nash (Durham University, UK): “Joyce, Yeats, and the Idea of the Nation”
Spurgeon Thompson (Cyprus College, Cyprus): “From Joyce to Connolly: Violence and Anticolonial Socialism”
Enda Duffy (University of California, Santa Barbara, USA) “Nervous Nation: Soma, Style, and Nervousness in Joyce’s Ireland”
1.00–2.30) Lunch
1.30–2.30)
16.L.b) Salle Rabelais
Lunchtime Ulysses Reading Group *
Chairs: Michael Groden (University of Western Ontario, Canada) and Austin Briggs (Hamilton College, USA)
“Wandering Rocks”: 10.800–80 (pp. 198–200)
2.30–4.00)
16.3.a) Auditorium Descartes
The Many Turns of Joycean Scholarship *
Chair: Michael Groden (University of Western Ontario, Canada)
Luca Crispi (University College, Dublin, Ireland): “Can We Take Him at his Word?”
William S. Brockman (Pennsylvania State University, USA): “The James Joyce Database”
Terence Killeen (The James Joyce Centre, Ireland): “The Enchanted Hunters: The Origins of Ulysses”
Michael Groden (University of Western Ontario, Canada): “Adventures with Ulysses: An Excerpt from a Memoir”
16.3.b) Salle Rabelais
“Sobs they sighdid at Fillagain’s chrissormiss wake” *
Chair: Susan J. Adams (University of the South Pacific, Fiji)
Heather Lusty (University of Nevada, Las Vegas, USA): “Joyce, Wake, and Bruno’s Art of Memory”
Paul Fagan (University of Vienna, Austria): “‘An upstart crow, beautified with our feathers’: Hamlet and the Allusive Method in Finnegans Wake”
Susan J. Adams (University of the South Pacific, Fiji): “An ‘In-Seine’ Cry: The Banshee and Anna Livia Plurabelle”
16.3.c) Salle Dujardin
Joyce and the Philosophers
Chair: Franca Ruggieri (University of Rome III, Italy)
Mia L. McIver (University of California, Irvine, USA): “Joyce with Spinoza: Legal Fiction and Double Truth”
Tim Conley (Brock University, Canada): “‘Cog it out’: Joyce on the Brain”
Bruce Stewart (University of Ulster, Northern Ireland): “Whatever Ever Happened to Baby Tuckoo?: Joyce in the Wake of Theory”
Franca Ruggieri (University of Rome III, Italy): “‘The Utopia of Isolation and Reconcilement’: A Radical Principle of Artistic Economy”
16.3.d) Salle Proust
Joyce and Contemporary British Literature
Chair: Robert D. Newman (University of Utah, USA)
William Hutchings (University of Alabama at Birmingham, USA): “The Joycean Shakespeare(s) of Robert Nye”
Elena Dotsenko (Urals State Pedagogical University, Yekaterinburg, Russia): “James Joyce and ‘Private Carr’ as Characters in Tom Stoppard’s Travesties”
Robert D. Newman (University of Utah, USA): “The Persistence of Joyce in Recent Fiction: The Case of Ian McEwan’s Saturday”
4.30–6.00)
16.4.a) Auditorium Descartes
Plenary Panel: Joyce and the Renaissance *
Chair: François Laroque (Sorbonne Nouvelle-Paris III, France)
Anne Fogarty (University College Dublin, Ireland): “Reinventing Hamlet?: ‘Scylla and Charybdis’ and the Politics of the Irish Literary Revival”
Marie-Dominique Garnier (Université Paris VIII): “‘The phoenix, his pyre’ (FW: 265.08– 9): On Burning and Being Born, or Joyce and Shakes/pyre”
François Laroque (Sorbonne Nouvelle-Paris III, France): “‘As Great Shapesphere puns it’ (FW: 295.04): The Name Game in Shakespeare and Joyce”
Jonathan Pollock (Université de Perpignan, France): “Textual Atomism in Finnegans Wake”
6.30–7.45) Cocktails; The Gardens of the Musée des Beaux Arts
Monsieur Jean Germain, Maire de Tours
8.00–9.30) Buffet dinner; Hôtel de Ville, Salle des Fêtes
Meeting point: Da Vinci Centre at 6.15
Tuesday June 17 9.00–9.30) Coffee
9.30–11.00)
17.1.a) Auditorium Descartes
Joyce and the 19th Century French Novel: 2 *
Chair: Finn Fordham (Royal Holloway, University of London, UK)
Cóilín Owens (George Mason University, USA): “Out for the Count: Dumas’ Abbé Faria and Joyce’s Fr Flynn”
Benoît Tadié (Université de Rennes II): “Balzacian Ghosts in the Boarding House?”
Rita Sakr (University of Nottingham, UK): “‘That’s new… That’s copy’: ‘Slightly Rambunctious Females’ on the Top of ‘Some Column!’ in Zola’s L’Assommoir and Joyce’s Ulysses”
Finn Fordham (Royal Holloway, University of London, UK): “Literary Waterloos: Stendhal, Hugo, Joyce”
17.1.b) Salle Rabelais
Joyce and the Renaissance: 2 *
Chair: François Laroque (Sorbonne Nouvelle-Paris III, France)
Jasmine Lellock (University of Maryland, USA): “‘As one incapable of her own distress’: Bloom and Ophelia in Ulysses”
Patricia Novillo-Corvalán (Birkbeck College, University of London, UK): “The Ghost of Shakespeare in Borges and Joyce”
Dieter Fuchs (University of Vienna, Austria): “‘Poor Penelope. Penelope Rich’: Sir Philip Sidney’s Astrophil and Stella as a Source for the Rewriting of the Odysseus-Archetype in James Joyce’s Ulysses”
Laura Pelaschiar (Università degli Studi di Trieste, Italy): “Othello in Bloomusalem: Alterity and Adultery in Othello and Ulysses”
17.1.c) Salle Dujardin
Re-Exagmining Our Exagmination: Roundtable
Chair: Tim Conley (Brock University, Canada)
Patrick McCarthy (University of Miami, USA)
Sam Slote (Trinity College, Dublin, Ireland)
Dirk Van Hulle (University of Antwerp, Belgium)
17.1.d) Salle Proust
New Contexts for Ulysses
Chair: Rasheed Tazudeen (University of California, Berkeley, USA)
Joelle Zois (Independent scholar, USA): “The I/Eye of the Storm: The Sirens’ Song of Ulysses”
Elizabeth McClurg (The Ohio State University, USA): “Following the Hat Crumbs in Ulysses”
Gulshan Taneja (University of Delhi, India): “Joyce the Satirist”
Rasheed Tazudeen (University of California, Berkeley, USA): “‘Blood always needed’: Animal Sacrifice and Animal Remembrance in ‘Lestrygonians’”
11.00–11.30) Coffee
11.30–1.00)
17.2.a) Auditorium Descartes
Dear Dirty Joyce *
Chair: Mark Shechner (SUNY-Buffalo, USA)
Christine van Boheeman-Saaf (University of Amsterdam, Holland): “Emetic Joyce: The Body in Joyce and Rabelais”
Valérie Bénéjam (Université de Nantes, France): “Obscenity and the Female Body: The ‘Adulterated Chapter’ of Adultery in Ulysses”
Mark Shechner (SUNY-Buffalo, USA): “Ejaculation: The Novel”
Colleen Jaurretche (Claremont McKenna College, USA): respondent
17.2.b) Salle Rabelais
Joyce and Objects *
Chair: John Nash (Durham University, UK)
Marco Camerani (University of Bologna, Italy): “‘Circe’ and Cinematographically Animated Objects in the Age of Technical Reproducibility”
Teresa Prudente (University of Turin, Italy): “‘The daily bread of experience’: The Transfiguration of Materiality in Joyce’s and Woolf’s Writing”
Paul Devine (Independent scholar with an affiliation to Leiden University, Holland): “‘He knew the inner side of all affairs and was fond of delivering final judgments’: An Objective View of ‘Two Gallants’”
John Nash (Durham University, UK): “‘Circumstantial Evidence’: Joyce and Objectness”
17.2.c) Salle Dujardin
Music Hath Charms to Soothe a Savage Joycean †
Chair: Timothy Martin (Rutgers University, USA)
Judith Harrington (Independent scholar, San Francisco, USA): “All Aboard for The Rose of Castile!”
Sonia Buttinelli (University of Rome III, Italy): “The Idea of Drama: From Wagner to Joyce”
Michelle Witen (St John’s College, Oxford, UK): “Repetition as Rebirth: The Silence of Music in ‘Sirens’ as Return in ‘Circe’”
Timothy Martin (Rutgers University, USA): “Opera, Ulysses, the Greeks”
17.2.d) Salle Proust
Joyce and Proust †
Chair: Barry McCrea (Yale University, USA)
Philippe Chardin (Université François-Rabelais, Tours, France): “Processes of Rebirth from Short Story to Novel: The Relationship between Dubliners and A Portrait of the Artist as a Young Man Compared with the Relationship between Les Plaisirs et les jours and À la recherche du temps perdu”
Sherry Burgus Little (San Diego State University, USA): “Joyce and Proust: Two Modern Literary Giants”
Christine Froula (Northwestern University, USA): “Scribbling into Eternity: Paris, Proust, ‘Proteus’”
Erik S. Roraback (Charles University, Prague, Czech Republic): “An Unconscious and Ultra-Modern Philosophical Baroque; or, Joyce’s Finnegans Wake (1939), Proust’s À la recherche du temps perdu (1922), and the Energies of Cosmic Systems of Bataille’s Atheology and General Economy”
1.00–2.30) Lunch
1.30–2.30)
17.L.b) Salle Rabelais
Lunchtime Ulysses Reading Group *
Chairs: Michael Groden (University of Western Ontario, Canada) and Austin Briggs (Hamilton College, USA)
“Sirens”: 11.650–760 (pp. 224–27)
2.30–4.00)
17.3.a) Auditorium Descartes
Collaborators and Anticollaborators: New Genetic Readings in Joyce *
Chair: Luca Crispi (University College Dublin, Ireland)
Ronan Crowley (Trinity College, Dublin, Ireland; SUNY-Buffalo, USA): “‘I’ve put Raymonde into Ulysses’: The Scribal Copy of ‘Circe’”
Christopher Whalen (Hertford College, Oxford, UK): “‘Piously Forged Palimpsests’: The Re-Nascent Quality of Hans Walter Gabler’s Synoptic Text of Ulysses”
Sarah Davison (University of Nottingham, UK): “Parodies of English Prose in ‘Oxen of the Sun’: A Genetic Excavation”
17.3.b) Salle Rabelais
Joyce and Materiality *
Chair: Maurizia Boscagli (University of California, Santa Barbara, USA)
Thomas Rice (University of South Carolina, USA): “‘Heliotropical noughttime’: In Schenectady”
Enda Duffy (University of California, Santa Barbara, USA): “SOMA-Joyce: His Biopolitical Materials”
Sebastian Knowles (The Ohio State University, USA): “Joyce and Philately”
Maurizia Boscagli (University of California, Santa Barbara, USA): “Economies of Waste: Bataille, Joyce”
17.3.c) Salle Dujardin
Joycean Influences †
Chair: Maria Domenica Mangialavori (University of Rome III)
Susan J. Adams (University of the South Pacific, Fiji): “Joyce in Translation— Vietnamese: and A New Play: ‘Jimmy Jo and Uncle Ho’ The Debut Reading”
Iris Bruderer-Oswald (University of Basel, Switzerland): “Carola Giedion-Welcker: Friend, Critic, Art Historian”
Frank Haran (The Norwegian School of Management, Oslo, Norway): “East Meets West: Orhan Pamuk’s The Black Book and James Joyce’s Ulysses”
Maria Domenica Mangialavori (University of Rome III): “Ulysses’s Journey in Joyce, Dallapiccola and Berio”
17.3.d) Salle Proust “Pornosophical Philotheology”: Textuality, Sexuality, and Patrimony in Ulysses
Chair: Gregory Erickson (Mannes College, USA)
Erin Templeton (Converse College, USA): “‘The Virgin Womb(s) of the Imagination’: Joyce and the Erotics of Authorship”
Janine Utell (Widener University, USA): “Scripting the Erotic; Or, Everything You’ve Ever Wanted to Know about Sex You Could Have Learned from Paul de Kock and Martha Clifford”
Gregory Erickson (Mannes College, USA): “Ruptures in Understanding: Juxtapositions of Heresy and Music in Ulysses”
17.3.e) Salle Balzac
Psychoanalytic Readings of Joyce
Chair: Tatjana Jukić (University of Zagreb, Croatia)
Ruben Borg (Hebrew University of Jerusalem, Israel): “Mirrored Disjunctions: Towards a Deleuzo-Joycean Theory of the Image”
Erik Schneider (Joyce Museum, Trieste, Italy): “Svevo and Joyce: The Symptom Meets the Sinthome”
Thomas Rendall (Peking University, China): “Joyce’s ‘The Dead’ and the Mid-Life Crisis”
Tatjana Jukić (University of Zagreb, Croatia): “Gretta and the Spectral: Joyce, Huston, and the Logic of Unknownness”
4.00–4.30) Coffee
4.30–6.00)
17.4.a) Auditorium Descartes
Plenary Panel: “Where did thots come from?” (FW: 597): Joyce’s Library and Genetic Breakthroughs *
Chair: Dirk Van Hulle (University of Antwerp, Belgium)
Jed Deppman (Oberlin College, USA): “Gray, Meticulous, and Documentary: Lexicographical Strategies in the Finnegans Wake Notebooks”
Scarlett Baron (Christ Church, Oxford, UK): “‘G.F. can rest having made me’: Flaubert’s Role in the Making of the Joycean Œuvre”
Geert Lernout (University of Antwerp, Belgium): “Tales Told of Cain and Abel: Joyce’s Use of Bible Commentaries”
Dirk Van Hulle (University of Antwerp, Belgium): “Afterword: No Genesis without a Serpent”
8.30–9.30) Concert of Renaissance Madrigal Music
Meeting point: Jean de Ockeghem Musical Centre, 15 Place Châteauneuf
Wednesday June 18 9.00–9.30) Coffee
9.30–11.00)
18.1.a) Auditorium Descartes
Teaching Joyce
Chair: Kimberly J. Devlin (University of California, Riverside)
Morris Beja (The Ohio State University, USA): “World Enough and Time: Teaching James Joyce Internationally”
Margot Norris (University of California, Irvine, USA): “Confessions of a Joyce Professor: Fantasies of Teaching Ulysses”
Kimberly J. Devlin (University of California, Riverside, USA): “Teaching Finnegans Wake: The Titles of the Mamafesta as Pedagogical Entrance”
Ellen Carol Jones (USA): discussion moderator
18.1.b) Salle Rabelais
L’année dernière à Dublin: James Joyce and European Cinema *
Chair: Rodica Ieta (University of Western Ontario, Canada)
Jesse Meyers (Independent scholar, New York, USA): “Joyce, Subliminal Screenwriter”
Hsiu-yuan Chen (Sorbonne Nouvelle-Paris III, France): “Joyce Goes to the Movies”
Rodica Ieta (University of Western Ontario, Canada): “Joyce, Antonioni, and the Disappearance of Plot”
18.1.c) Salle Dujardin
Historical/Geographical Aspects of Dubliners
Chair: Cóilín Owens (George Mason University, USA)
John Gordon (Connecticut College, USA): “Gaslight and Golliwogs”
Murray McArthur (University of Waterloo, Canada): “Replication and Narration: ‘Counterparts’ as a Replicon of Joycean Narration”
Cóilín Owens (George Mason University, USA): “Joyce and Arnold Dolmetsch: An Expanded Annotation”
18.1.d) Salle Proust
“Latin me that, my trinity scholard”: Music, Dreams, and Final Judgements in Ulysses and Finnegans Wake
Chair: Sam Slote (Trinity College, Dublin, Ireland)
Ronan Crowley (Trinity College, Dublin, Ireland; SUNY-Buffalo, USA): “Ulysses and the Music Hall”
Robert Baines (Trinity College, Dublin, Ireland): “Give Freud a Chance: Interpreting Dreams in Finnegans Wake”
Alison Lacivita (Trinity College, Dublin, Ireland): “‘Am I walking into eternity along Sandymount strand?’: Stephen Dedalus and Romantic Eschatology”
11.00–11.30) Coffee
11.30–1.00)
18.2.a) Auditorium Descartes
Joycean Collective Memories: Roundtable *
Chairs: Rosa Maria Bollettieri Bosinelli (University of Bologna, Italy) and Jolanta Wawrzycka (Radford University, USA)
M. Teresa Caneda Cabrera (University of Vigo, Spain)
John McCourt (University of Rome III, Italy)
Christine O’Neill (Arts Council of Ireland)
Fritz Senn (Zürich James Joyce Foundation, Switzerland)
18.2.b) Salle Rabelais
Perceptions and Receptions of Joyce *
Chair: Ted Bishop (University of Alberta, Canada)
Jesse Meyers (Independent scholar, NYC, USA): “Joyce’s Current Cultural Impact”
Suzette Henke (University of Louisville, USA): “Bloomsday Centennial Cinema: Sean Walsh’s Bloom/-bl,.m”
Amanda Sigler (University of Virginia, USA): “Letters to the Editor: First Readers’ Responses to Ulysses”
Ted Bishop (University of Alberta, Canada): “Ulysses and the Birth of the Blurb”
18.2.c) Salle Dujardin
Imitation, Pastiche, and Parody in Joyce/of Joyce
Chair: Ariela Freedman (Concordia University, Canada)
Jonathan E. Goldman (Florida Atlantic University, USA): “‘Infamous Daughter of an Infamous Mother’: Joyce in Jean Rhys”
Madelaine Crusoé (Université Paris IV-Sorbonne, France): “Revering and Resisting the Joycean Paradigm: Flann O’Brien’s Novels”
Ariela Freedman (Concordia University, Canada): “James Joyce and Alison Bechdel’s Fun Home: Re-Nascent Modernism and the Graphic Novel”
18.2.d) Salle Proust
Genetic Joyce
Chair: Nicholas Morris (University College Dublin, Ireland)
Ilaria Natali (University of Florence, Italy): “New Genetic Perspectives: An Analysis of A Portrait of the Artist as a Young Man”
Taura S. Napier (Wingate University, USA): “Deadwood Dicks: Genetic Considerations of ‘Cyclops’ and the American South”
Eleni Loukopoulou (University of Kent, UK): “The European Caravan: Ulysses Anthologised”
Nicholas Morris (University College Dublin, Ireland): “Postmodern Tropes in Genetics: Textual Grafts and Rhizomes in the Evolution of Finnegans Wake”
18.2.e) Salle Balzac
Joyce and the 19th Century French Novel: Roundtable
Chair: Finn Fordham (Royal Holloway, University of London, UK)
Benoît Tadié (Université de Rennes II, France)
Cóilín Owens (George Mason University, USA):
Ron Bush (St John’s College, Oxford, UK): respondent
1.00–2.30) Lunch
1.30–2.30)
18.L.b) Salle Rabelais Lunchtime Finnegans Wake Reading Group
Chair: Jim LeBlanc (Cornell University, USA)
“Wring out the clothes! Wring in the dew!” (FW: 213.11–216.05)
2.30–3.30)
18.3.a) Auditorium Descartes
Plenary Lecture: Ulysses: “something with hoses in it”
Leo Bersani (University of California, Berkeley, USA)
Introduced by André Topia (Sorbonne Nouvelle-Paris III, France)
3.30–4.00) Coffee
4.00–5.30)
18.4.a) Auditorium Descartes
Untimely Joyce
Chair: Paul K. Saint-Amour (University of Pennsylvania, USA)
Marian Eide (Texas A&M University, USA): “Bad Timing: Jokes, Riddles, & Parables”
R. Brandon Kershner (University of Florida, USA): “Temporalities of Ulysses” Vicki Mahaffey (University of York, UK): “Presence of Mind: Joyce and the Sensuality of Awareness”
Paul K. Saint-Amour (University of Pennsylvania, USA): “‘Coming Events Cast Their Shadows Before’: On Joycean Prophecy”
18.4.b) Salle Rabelais
Teaching Joyce to Undergraduates *
Chair: Barbara Laman (Dickinson State University, USA)
Beth Hurt (Dickinson State University, USA): “Catholicism in A Portrait of the Artist as a Young Man”
Mary Wald (Dickinson State University, USA): “James Joyce’s Journey to Self-Actualization as Portrayed by Stephen Dedalus and Leopold Bloom”
Sandy Weaver (Dickinson State University, USA): “A Comparison of Irish and Native American Alcoholism and Assimilation in James Joyce’s ‘Grace’ and Sherman Alexie’s ‘Amusements’”
Alicia Haich (Dickinson State University, USA): “Shem and Shaun, the Halo Enthusiasts: A Look at James Joyce’s Gaming in Finnegans Wake”
18.4.c) Salle Dujardin
Joyce in American Literature
Chair: Dermot Kelly (College of the North Atlantic, Canada)
Anne MacMaster (Millsaps College, USA): “Modernist Brothel Meets Nightmare of History: The Aesthetics and Economics of Prostitution in Joyce’s ‘Circe’ and Jean Toomer’s Cane”
John S. Bak (IDEA-Nancy Université, France): “‘A great deal of dullness’: Tennessee Williams’s College Essay on James Joyce’s Ulysses”
Dermot Kelly (College of the North Atlantic, Canada): “How Norman Mailer’s Catholic Hipster Might Have Read Ulysses”
18.4.d) Salle Proust
Joyce and the Renaissance: 3
Chair: Richard Corballis (Massey University, New Zealand)
Stephen Sicari (St. John’s University, USA): “‘A Modernist Humanism’: Joyce and Rabelais.”
Philippe Birgy (Université de Toulouse II, France): “‘Another victory like that and we are done for’: Return and Repression of a Greek Spirit in Modernism”
Richard Corballis (Massey University, New Zealand): “Who taught Molly to say ‘Yes’?”
5.30–8.30) Wine Tasting; La Maison du Vouvray, cave des producteurs Confrérie de La Chantepleure at Vouvray
Meeting point: Buses will leave from the Da Vinci Centre at 5.30
Thursday June 19 9.00–9.30) Coffee
9:30–11.00)
19.1.a) Auditorium Descartes
Spatial Joyce
Chair: Valérie Bénéjam (Université de Nantes, France)
Luke Gibbons (University of Notre Dame, USA): “All Over the Place: James Joyce and the Inner Speech of the City”
Liam Lanigan (University College Dublin, Ireland): “Gabriel’s Re-Mapping of Dublin: The Fabricated Cityscape of ‘The Dead’”
David Spurr (University of Geneva, Switzerland): “Joyce the Post”
Laurent Milesi (Cardiff University, UK): “The Habitus of Languages in Finnegans Wake”
19.1.b) Salle Rabelais
Joyce, Translation and Translatability: 1 *
Chair: Irena Grubica (University of Rijeka, Croatia)
Jolanta Wawrzycka (Radford University, USA): “Rhetorical Joyce: Translating (de)Vices of Diction”
Robert L. Fulton, Jr. (University of Antwerp, Belgium): “Will the Real James Joyce Please Stand Up?”
Irena Grubica (University of Rijeka, Croatia): “Translating Joyce’s Language Effects: Cross-Cultural Negotiation of Meaning”
Jean Michel Rabaté (University of Pennsylvania USA): respondent
19.1.c) Salle Dujardin
Feminist Readings of Joyce
Chair: Agata Szczeszak-Brewer (Wabash College, USA)
Michelle Van Tassell (University of Utah, USA): “Dolls Without Drawers: Joyce’s Women Packaged, Priced, and Ventriloquized”
Hsiao Yen-Yen (National Tsinghua University, Taiwan): “Encounter with Irish Mothers”
Agata Szczeszak-Brewer (Wabash College, USA): “Joyce’s Vagina Dentata: Manhood, Nationhood, and Female Vampirism”
19.1.d) Salle Proust
Joyce in Mythology and Classics
Chair: H.K. Riikonen (University of Helsinki, Finland)
Catherine Whitley (Edinboro University of Pennsylvania, USA): “Stephen’s Circean Rebirth as Celtic King”
Cynthia Hornbeck (University of Utah, USA): “Greekly Imperfect: The Homeric Origins of Joyce’s ‘Nausicaa’”
H.K. Riikonen (University of Helsinki, Finland): “‘The Grandeur that was Rome’: Livy and Roman Civilization in Ulysses”
19.1.e) Salle Balzac
Joyce and the Renaissance: 4
Chair: Justin Beplate (Université Paris II, France)
Federico Sabatini (University of Turin, Italy): “James Joyce and Giordano Bruno: An ‘Immarginable’ and Interdisciplinary Dialogue”
Benigno Del Rio Molina (University of Seville, Spain): “Joyce between Montaigne and Shakespeare: Caliban, Cannibals, and Creaturely Men”
Justin Beplate (Université Paris II, France): “The God-Intoxicated Man: Giordano Bruno and Joyce’s Aesthetic Philosophy”
11.00–11.30) Coffee
11.30–1.00)
19.2.a) Auditorium Descartes
Stratford-upon-Liffey: The Shakespearean Joyce *
Chair: Vike Martina Plock (Cardiff University, UK)
Sam Slote (Trinity College, Dublin, Ireland): “Loving the Alien: Egoism, Empathy, Alterity, and Shakespeare Bloom in Stephen’s Æsthetics”
Matthew Creasy (University of Glasgow, UK): “‘Hamlet Among the Celts’: Joyce, Shakespeare, and Irish Ireland”
Vike Martina Plock (Cardiff University, UK): “‘Knock knock. War’s where!’: History, Macbeth, and Finnegans Wake”
19.2.b) Salle Rabelais
Joyce, Translation and Translatability: 2 *
Chair: Irena Grubica (University of Rijeka, Croatia)
Andrés Pérez-Simón (University of Toronto, Canada): “Dámaso Alonso’s Spanish Translation of A Portrait of the Artist as a Young Man”
Katarzyna Bazarnik (Jagiellonian University, Krakow, Poland): “Mutt and Jute Conversing in Polish: Finnegans Wake in Polish”
Erika Mihálycsa (Babeş-Bolyai University, Cluj, Romania): “Translating the Gap: The Hungarian and Romanian ‘fillings-in’ of Bloom’s ‘I AM A’ in ‘Nausicaa’”
Fritz Senn (Zürich James Joyce Foundation): respondent
19.2.c) Salle Dujardin
Tours of Dubliners
Chair: Claudine Raynaud (Université François-Rabelais, Tours, France)
Hee-Whan Yun (Kangnam University, South Korea): “Verbal Displacement of Sexual Desire: A Comparative Study of ‘Hands’ and ‘An Encounter’”
Vivian Valvano Lynch (St John’s University, USA): “‘What a falling off was there’: Critiquing New Dubliners, A Collection Celebrating 100 Years of Joyce’s Dubliners”
Claudine Raynaud (Université François-Rabelais, Tours, France): “Writing the Symptom (of the Female Body) in ‘Clay’”
19.2.d) Salle Proust
Joyce and the Idea of the Nation: 2
Chair: Anne Fogarty (University College Dublin, Ireland)
Vincent J. Cheng (University of Utah, USA): “Amnesia, Forgetting, and the Nation in James Joyce’s Ulysses”
Luke Gibbons (University of Notre Dame, USA): “‘A Ghost by Absence’: Joyce and the Spectral”
Anne Fogarty (University College Dublin, Ireland): respondent
1.00–2.30) Lunch
19.L) Salle Zola
International James Joyce Foundation Trustees meeting
1.30–2.30)
19.L.b) Salle Rabelais
Lunchtime Finnegans Wake Reading Group
Chair: Jim LeBlanc (Cornell University, USA)
“Wring out the clothes! Wring in the dew!” (FW: 213.11–216.05)
2.30–4.00)
19.3.a) Auditorium Descartes
Joycean Erotics *
Chair: Austin Briggs, (Hamilton College, USA)
Paul Jones (University of York, UK): “Sexing Up Irish Politics: Joyce’s Dirty Dossier”
Katherine Mullin (University of Leeds, UK): “Working Girls: The Erotics of Everyday
Life” Vicki Mahaffey (University of York, UK): “Sex, Food, and Death: This is My Body” Austin Briggs, (Hamilton College, USA): “The Nymph of the Yews and the Debate over
the Nude in Painting and Sculpture”
19.3.b) Salle Rabelais
The Parisian Joyce *
Chair: Philip Sicker (Fordham University, USA) Susan Brown (Manatee Community College, USA): “Joyce and Valéry: The Da Vinci Code Of 1920’s Paris” Robert Kirschen (University of Nevada, Las Vegas, USA): “Stephen in Paris: Kevin Egan and the Resurgence of an Artist” Philip Sicker (Fordham University, USA): “Capturing the ‘fugitive element’: Baudelaire’s Flâneur and Joyce’s Epiphanies”
19.3.c) Salle Dujardin
A Master, a Professor, an Analyst, a Hysteric and an Irishman go into a Pub... Joyce at Lacan’s Seminar XVII †
Chair: Sheldon Brivic (Temple University, USA)
Tony Thwaites (University of Queensland, Australia): “‘We don’t know the sendor to
whom’ (FW: 379.02–3): Free Indirect Discourse and the Discourse of the Analyst” Colleen Lamos (Rice University, USA): “Joyce and the Other Side of Gender” Sheldon Brivic (Temple University, USA): “Doctor Hilarious: Shem as Hysterical
Analyst”
19.3.d) Salle Proust
Joyce’s Contemporaries
Chair: Carla Marengo (Turin University, Italy) Tomislav Brlek (University of Zagreb, Croatia): “Qu’est-ce que ça veut rire? Or, Shan’t We Hear (Say) Eliot in Joyce?”
Ivana Milivojević (James Joyce Literary Society of Belgrade, Serbia): “Andrei Belyi: Joycean Before Joyce”
Carla Marengo (Turin University, Italy): “Elpénor and Paddy Dignam: Joyce and Giraudoux”
4.00–4.30) Coffee
4.30–5.30)
19.4.a) Auditorium Descartes
Plenary Panel: Duologue on “Cyclops”
Fritz Senn (Zürich James Joyce Foundation, Switzerland) and Valérie Bénéjam (Université de Nantes, France)
5.30–8.00) Boat Trip down the Loire
Meeting point: Buses will leave from the Da Vinci Centre at 5.30
Friday June 20 9.00–9.30) Coffee
9.30–11.00)
20.1.a) Auditorium Descartes
Catholic Joyce *
Chair: Christine Lees (Royal Holloway, University of London, UK)
Wim Van Mierlo (Institute of English Studies, University of London, UK): “Joyce and S. Martin of Tours”
Madeline Parsons (Birkbeck College, University of London, UK): “Joyce, Prostitution and the Two Marys”
Geert Lernout (University of Antwerp, Belgium): “Why James Joyce Did Not Like Father Bernard Vaughan”
Christine Lees (Royal Holloway, University of London, UK): “‘Alibithename’: Garbling an Our Father in the avant-textes of Finnegans Wake”
20.1.b) Salle Rabelais The Re-Nascent Wake *
Chair: Jim LeBlanc (Cornell University, USA)
Strother Purdy (Marquette University, USA): “A Combined Consideration of Finnegans Wake (Paris, 1922–1939) and La Satyre Menipée (Tours and Paris, 1594)”
Tracey Eve Winton (University of Waterloo, Canada): “The Dream and the Wake: An Alchemy of Words and Scenes in the Hypnerotomachia Poliphili and Finnegans Wake”
Jim LeBlanc (Cornell University, USA): “The Ass Dreams of Shaun’s Bottomless Heart: A Re-Nascent Reading of Finnegans Wake 403–407”
20.1.c) Salle Dujardin
Anthropological Joyce
Chair: André Topia (Sorbonne Nouvelle-Paris III, France)
Benoît Tadié (Université de Rennes II, France) “Exploring Liminality: Joyce and Van Gennep”
Carle Bonafous-Murat (Sorbonne Nouvelle-Paris III, France): “Joyce and Cognitive Anthropology: The Case of ‘Grace’”
André Topia (Sorbonne Nouvelle-Paris III, France): “The Human as Bricolage (‘Nausicaa’)”
20.1.d) Salle Proust
Before and After Post-Colonialism
Chair: Joe Valente (University of Illinois, USA)
Borislav Knežević (University of Zagreb, Croatia): “‘A Bringer of New Things’: Tennyson, Joyce’s Ulysses and a Pedagogy of Modernity”
Li-ling Tseng (National Taiwan University, Taiwan): “‘Genuine Forgeries’: Linguistic and Political (De-)Mystification in ‘Eumaeus’”
Margot Backus (University of Houston, USA) and Joe Valente (University of Illinois, USA): “James Joyce’s Knowing Innocents and the Children of 1913”
20.1.e) Salle Balzac
New Contexts for Joyce
Chair: Eishiro Ito (Iwate Prefectural University, Japan)
Oddbjørn Aasen (Arna yrkesskule, Norway): “Modern and Renaissance Laughter in Ulysses”
Marissa Aixàs (University of Barcelona, Spain): “Annihilating Space and Time: Derrijoycing Finnegans”
Robert Hurd (Anne Arundel Community College, USA): “Preparatory to Anything Else: Joyce and the Modernist Notebook”
Eishiro Ito (Iwate Prefectural University, Japan): “‘Bonzour’ ‘Mousoumeselles’: Joyce and Japonisme”
11.00–11.30) Coffee
11.30-1.00)
20.2.a) Auditorium Descartes
JoyCixous *
Chair: Marie-Dominique Garnier (Université Paris VIII, France)
Ginette Michaud (Université de Montréal, Canada): “Between ciXous & joYce: a Most Plumitive Affair”
Daniel Ferrer (ITEM, France): “Dis-articulation”
Laurent Milesi (Cardiff University, UK): “Freincipe de plaisir/Pleasure Reinciple”
Jean-Michel Rabaté (University of Pennsylvania, USA): “What Was Joyce’s First Name? Address in Hélène Cixous’s Different Psycho-Biography”
20.2.b) Salle Rabelais
(Beyond) Imitation: Joyce’s Parodies/Parodying Joyce *
Chair: Onno Kosters (Utrecht University, Holland)
Maria Kager (Rutgers University, USA): “Multi-levelled Parody in Joyce’s Ulysses and Italo Svevo’s La Coscienza di Zeno”
Paul O’Hanrahan (Independent scholar, Dublin, Ireland): “Ulysses: A Second Trilby? Joyce’s Debt to Du Maurier”
Meltem Gurle (Boğaziçi University, Istanbul, Turkey): “Literary Siblings: Joyce and Atay, A Comparative Study”
Onno Kosters (Utrecht University, Holland): “Samuel Beckett’s Watt: A Tribute with a Vengeance”
20.2.c) Salle Dujardin
The Past and Future Joyce: Roundtable on the XXIst Joyce Symposium
Chair: Sarah Davison (University of Nottingham, UK)
Christine Lees (Royal Holloway, University of London, UK)
Robert Baines (Trinity College, Dublin, Ireland)
Michelle Witen (St John’s College, Oxford, UK)
Christopher Whalen (Hertford College, Oxford, UK)
20.2.d) Salle Proust
Joyce and the New Sciences
Chair: Maria DiBattista (Princeton University, USA)
Masha Mimran (Princeton University, USA): “Through the Looking-Glass: Joyce’s ‘Circe’ and the Poetics of Voyeurism”
Jay Dickson (Reed College, USA): “Sympathy Pains: ‘Oxen of the Sun’ and the Labor of Modern Fiction”
Jonathan Greenberg (Montclair State University, USA): “Joyce and Darwin”
1.00–2.30) Lunch
1.30–2.30)
20.L.b) Salle Rabelais
Lunchtime Finnegans Wake Reading Group
Chair: Jim LeBlanc (Cornell University, USA)
“Wring out the clothes! Wring in the dew!” (FW: 213.11–216.05)
2.30–3.30)
20.3.a) Auditorium Descartes
International James Joyce Foundation General Meeting
3.30–4.00) Coffee
4.00–5.00)
20.4.a) Auditorium Descartes
Plenary Lecture
Hélène Cixous (Université Paris VIII, France) Introduced by Daniel Ferrer (ITEM, France)
6.30–11.30) Farewell Banquet; Château Royal, Amboise
Meeting point: Buses will leave from the Da Vinci Centre at 6.30
SOCIAL PROGRAM
The events on June 15, 16, and 18 are free to all registered symposium participants.
Sunday June 15 6.00–8.00) Welcome Reception; Da Vinci Centre
Monsieur le Président de l’Université François-Rabelais de Tours Monsieur Heinz Raschel, Doyen de l’UFR Lettres et Langues Anne Fogarty (incoming President, International James Joyce Foundation)
Monday June 16 6.30–7.45) Cocktails; The Gardens of the Musée des Beaux Arts
Monsieur Jean Germain, Maire de Tours
8.00–9.30) Buffet dinner; Hôtel de Ville, Salle des Fêtes
Meeting point: Da Vinci Centre at 6.15
Tuesday June 17 8.30–9.30) Concert of Renaissance Madrigal Music
Meeting point: Jean de Ockeghem Musical Centre, 15 Place Châteauneuf
Wednesday June 18 5.30–8.30) Wine Tasting; La Maison du Vouvray, cave des producteurs Confrérie de La Chantepleure at Vouvray
Meeting point: Buses will leave from the Da Vinci Centre at 5.30
Thursday June 19 5.30–8.00) Boat Trip down the Loire
Meeting point: Buses will leave from the Da Vinci Centre at 5.30
Friday June 20
6.30–11.30) Farewell Banquet; Château Royal, Amboise
Meeting point: Buses will leave from the Da Vinci Centre at 6.30
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